Spectacle 2.0, Debord'un gösteri kuramını 21. yüzyıl dijital kapitalizmi çerçevesinde ele alıyor. Debord’un 1960’ların sonunda ortaya attığı ve 1990’larda tekrar döndüğü “gösteri” kavramını yeniden değerlendirerek, çağdaş bilişim kapitalizmi ve dijital emek bağlamında yorumluyor. Spectacle 2.0, medya ve emek çalışmaları alanındaki eleştirel literatüre önemli bir katkı sağlıyor.
Preface: Guy Debord, Donald Trump, and the Politics of the Spectacle
Douglas Kellner
Introduction: From the Notion of Spectacle to Spectacle 2.0: The Dialectic of Capitalist Mediations
Marco Briziarelli & Emiliana Armano
The Integrated Spectacle: Towards Aesthetic Capitalism
Vanni Codeluppi
Guy Debord, a Critique of Modernism and Fordism: What Lessons for Today?
Olivier Frayssé
The Spectacle of New Media: Addressing the Conceptual Nexus Between User Content and Valorization
Raffaele Sciortino & Steve Wright
Spectacle and the Singularity: Debord and the ‘Autonomous Movement of Non-Life’ in Digital Capitalism
Clayton Rosati
Rio de Janeiro: Spectacularization and Subjectivities in Globo’s city
Barbara Peccei Szaniecki
Data Derives: Confronting Digital Geographic Information as Spectacle
Jim Thatcher & Craig M. Dalton
Branding, Selfbranding, Making: The Neototalitarian Relation Between Spectacle and Prosumers in the Age of Cognitive Capitalism
Nello Barile
Tin Hat Games – Producing, Funding, and Consuming an Independent Role-Playing Game in the Age of the Interactive Spectacle
Chiara Bassetti et al.
‘Freelancing’ as Spectacular Free Labour: A Case Study on Independent Digital Journalists in Romania
Romina Surugiu
Immaterial Labour and Reality TV: The Affective Surplus of Excess
Jacob Johanssen
Disrupting the Spectacle: The Case of Capul TV During and After Turkey’s Gezi Uprising
Ergin Bulut & Haluk Mert Bal
The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism, (ed.) Marco Briziarelli, Emiliana Armano, University of Westminster Press 2017
https://www.uwestminsterpress.co.uk